Remember when Avengers came out on DVD and it was just the most beautiful thing that could have ever happened? Yeah. It's still pretty much the most awesome thing that could have ever happened. The extras, while they're a little bit ... underwhelming, are still great, and the audio commentary by Joss Whedon is just perfect for any Whedon fan. And, furthermore, we get a first for any Marvel film..
wait for it ....
A GAG REEL.
Though, when you think about it, this is the perfect movie to throw a gag reel in. It was funny, touching, heartwarming, and at the same time, it had incredibly serious undertones. Some of the other movies just wouldn't work with a gag reel because they're too serious. But throw a bunch of superheroes into a room and think about how funny it would be. Marvel's Avengers is the perfect movie, and now we all get to own it in our homes. How wonderful is that?
Seriously, could anything be more awesome? I haven't seen it in TV 3D (I'm poor and can't afford that crap) but I'm guessing it's probably just as good as it was in theaters. Just on a smaller screen.
That's all I've got for you today. Resident Evil is coming out this week and then Halo is next week. A couple more games are slated for the end of the month. I'll have a post about Looper ready by tomorrow.
Until then: Sayonara and adios!
-Space Cadet
Monday, October 1, 2012
Sunday, September 2, 2012
Total Recall, Premium Rush, Bourne Legacy
Hey! It's been a while, I know, I know. I apologize sincerely. Anyway. The past month has been a little bit ... lack for movies, in my world, at least. I haven't seen Paranorman or Expendables yet, but I'll get around to them eventually. I did, however, see Total Recall, the Bourne Legacy, and Premium Rush. In that order.
Total Recall was... okay. I mean, I really enjoyed it but I like Colin Farrell and I like science-fiction-futuristic stuff in it. But I'll be the first person to admit that the story had little substance and a lot of pretty people doing cool things like jumping out of buildings and walking away from explosions. Sure, there was a nod (which one would probably miss in passing) to Mars and the ending wasn't actually the ending because there was like an immediate second ending and it was just a little ... ridiculous. The storyline was thin and there just wasn't a whole lot to it. It was pretty. But it was pretty unsubstantial.
Bourne Legacy. I think the problem with this movie was that a lot of people just weren't expecting there to be "another" even though all the ads said that. Seriously, practically every ad said "there was never just one!" so when you get online you see people complaining that Jeremy Renner isn't Jason Bourne -- when it's been made relatively clear the entire time that Jeremy Renner's Aaron Cross is not Jason Bourne. Even people I talked to had this problem—"I want Matt Damon!" But, regardless of what they said, the movie was good--lots of action and Jeremy Renner's a pretty stellar actor, but some of the time it seemed like he was on a hunt for drugs. That's pretty much what the entire movie was about. Going overseas so he could get cured of his need for drugs. "WHERE ARE THE CHEMS?" (said in the spirit of Jack Bauer, may 24 rest in peace). Overall, though, it was a good movie. A bit slow in the beginning but it picked up once they started blowing stuff up and shooting at each other. The story was a little bit ... thin at times, just like Total Recall, but overall, it was very enjoyable.
Premium Rush isn't the kind of movie that draws in tons of audiences. How many people are going to see an ad about bike couriers in New York and be like "wow. That looks like a darn good movie to see." Not a lot, unfortunately. But, the good thing here is that for people who know who Joseph Gordon-Levitt is, they'll probably go see it. We saw Premium Rush about a week after it came out and I almost regretted waiting that long. It was hilarious. Gordon-Levitt's Wilee is a sarcastic, smug bike-messenger who gets stuck delivering the worst package possible because somebody doesn't want him to have it. The movie has a lot of fast-paced and cringe-worthy action, and a lot of funny moments. There were points in the movie where we were laughing so hard that we couldn't breathe. Out of the three movies listed I think that this one was probably my favourite. It was funny, it went quickly, and sure, the story wasn't absolutely wonderful, but I mean, I'll become a New York bike messenger because it looks like all kinds of dangerous fun.
Upcoming this month: Perks of Being a Wallflower and Looper. I have a lot of feelings about Perks so we'll see how that actually ends up being. Looper looks fantastic.
Total Recall was... okay. I mean, I really enjoyed it but I like Colin Farrell and I like science-fiction-futuristic stuff in it. But I'll be the first person to admit that the story had little substance and a lot of pretty people doing cool things like jumping out of buildings and walking away from explosions. Sure, there was a nod (which one would probably miss in passing) to Mars and the ending wasn't actually the ending because there was like an immediate second ending and it was just a little ... ridiculous. The storyline was thin and there just wasn't a whole lot to it. It was pretty. But it was pretty unsubstantial.
Upcoming this month: Perks of Being a Wallflower and Looper. I have a lot of feelings about Perks so we'll see how that actually ends up being. Looper looks fantastic.
tags:
2012 films,
action,
August,
bourne legacy,
Colin Farrell,
Drama,
jeremy renner,
joseph gordon-levitt,
looper,
Perks,
Perks of Being a Wallflower,
Premium Rush,
Sci-Fi,
Thrillers,
Total Recall
Saturday, July 21, 2012
I want to talk about the soundtrack for The Dark Knight Rises
I want to talk about the soundtrack for The Dark Knight Rises. I'm going to talk about a few scenes from the film so in case you're worried that I'll spoil some things, I would just say skip this post for now. I'll try to keep it to a minimum, as far as spoilers go, but hey, gotta do what I gotta do.
Hans Zimmer is obviously a genius, but with the music for TDKR, he went completely over the top. Sure, you may say, 'it's just music', but people seriously underestimate how important music is in a film. It sets the tone, it lets us experience the film in a completely new way. There are several choice scenes in this movie where the music, or, in one particular case, the absence of it, completely make the scene.
The 'theme' from the previous two Batman movies is there (you know what I'm talking about, the baaaaaam BAAAAAAAAAM), but it's different. It sounds different. It comes at different times in the film. You know that Batman is still a badass, but a reluctant badass. It's there whenever he's on screen, but the tone is different. It's darker. More dangerous. More cautious and less "I'm Batman, bitch!" The music of this film completely makes the point that nobody, not even Batman, knows what's going to happen to Gotham. Gotham is in that deep. It gives us a sense of hopelessness. And that is what makes this movie so completely incredible.
There's a track on the soundtrack called Gotham's Reckoning, and it is phenomenal.
I saw this in IMAX today and my goodness, the sound was incredible. But the soundtrack. There's an intensity there that just tells the audience the urgency of what is happening. It's loud, it's intense, it's chaotic and rhythmic, it crescendos and never stops, it just keeps going up, up, up, to an unattainable peak, until it hits a chaotic point of no return. You almost want to look away because you know something is coming, and whatever that something is, it can't be good. It's dark. It's foreboding. It's absolutely dangerous. Every time Bane is on the screen, every time he's strutting around, you can feel it because the music is so dark. You feel like you're in Gotham, experiencing the fear that all the citizens are feeling.
However, one of the most important points in the film comes without music at all. During the initial Batman/Bane fight, (in the sewers), there's no music at all. This tells an incredible story because without music to distract anyone, you can really tell where this is going. Music often gives away what's going to happen in a scene. If it's lighthearted and happy or even intense but bold, you can tell what's going to happen. In this particular scene, the absence of music literally makes it painful to watch.
I can't say enough about the music in this film. It's phenomenal. It's perfect for the story. It's wonderful.
Hans Zimmer is obviously a genius, but with the music for TDKR, he went completely over the top. Sure, you may say, 'it's just music', but people seriously underestimate how important music is in a film. It sets the tone, it lets us experience the film in a completely new way. There are several choice scenes in this movie where the music, or, in one particular case, the absence of it, completely make the scene.
The 'theme' from the previous two Batman movies is there (you know what I'm talking about, the baaaaaam BAAAAAAAAAM), but it's different. It sounds different. It comes at different times in the film. You know that Batman is still a badass, but a reluctant badass. It's there whenever he's on screen, but the tone is different. It's darker. More dangerous. More cautious and less "I'm Batman, bitch!" The music of this film completely makes the point that nobody, not even Batman, knows what's going to happen to Gotham. Gotham is in that deep. It gives us a sense of hopelessness. And that is what makes this movie so completely incredible.
There's a track on the soundtrack called Gotham's Reckoning, and it is phenomenal.
I saw this in IMAX today and my goodness, the sound was incredible. But the soundtrack. There's an intensity there that just tells the audience the urgency of what is happening. It's loud, it's intense, it's chaotic and rhythmic, it crescendos and never stops, it just keeps going up, up, up, to an unattainable peak, until it hits a chaotic point of no return. You almost want to look away because you know something is coming, and whatever that something is, it can't be good. It's dark. It's foreboding. It's absolutely dangerous. Every time Bane is on the screen, every time he's strutting around, you can feel it because the music is so dark. You feel like you're in Gotham, experiencing the fear that all the citizens are feeling.
However, one of the most important points in the film comes without music at all. During the initial Batman/Bane fight, (in the sewers), there's no music at all. This tells an incredible story because without music to distract anyone, you can really tell where this is going. Music often gives away what's going to happen in a scene. If it's lighthearted and happy or even intense but bold, you can tell what's going to happen. In this particular scene, the absence of music literally makes it painful to watch.
I can't say enough about the music in this film. It's phenomenal. It's perfect for the story. It's wonderful.
tags:
batman,
Christopher Nolan,
films,
great movies,
hans zimmer,
in theaters,
movies,
OST,
Reviews,
tdkr,
the dark knight rises
Wednesday, July 18, 2012
Deadpool: The Game (Trailer)
So, Deadpool's getting his own game. Deadpool. The Merc with a Mouth. One of the most hilarious, craziest, most awesome characters in the Marvel universe is getting his own game.
Obviously this is awesome. Deadpool is one of the greatest characters and to have him have his own game can only mean that hilarity, awesomeness, and insanity will ensue. All I want is for him to break the fourth wall within the game. A lot. I've read that in the upcoming movie ( . . . ) he will be doing just that (in addition to being played by Ryan Reynolds again) and seriously, I'm just really excited for this game.
And I want him to talk to himself.
Seriously all I want is for Deadpool to be ... Deadpool. Yep.
Catch the trailer below.
Monday, July 16, 2012
The Dark Knight (2008)
Christopher Nolan has a way with making films. They're always wonderful. Well thought out. Beautifully crafted. Made to look real, believable. But the Batman films have always been absolutely phenomenal. From the script to the music to the actors, the films flow together perfectly, crafting an intricate story about Gotham's caped crusader. Christopher Nolan's films have set a precedent for Batman films and with this being the summer of superheroes, my expectations for Dark Knight Rises are extremely high.
2008's The Dark Knight was an exciting thrill ride. Dark, terrifying, humorous and very intense throughout its entirety, the second Batman film introduced us to the Joker, who was scary, sinister, and downright mad. Seeing the film for the first time made us all feel like we were in Gotham, in this dark city riddled by crime and while Batman is the protector of the city, we can't help but be somewhat terrified of him, too. Christian Bale's Bruce Wayne is brilliant, smart, and quick. But when he transforms into Batman, he becomes this unmatched force of technology, intelligence, and I mean, the dude has a cape.
The Joker (Heath Ledger) is a fantastic performance, as well. He steals the film away with his mad, crazy comedy act, but there are points throughout the film (or, really, the entire thing), where you see that the Joker is completely batty. There's a scene where the Joker is interrogating a Batman imitator and he asks the perp to "look at him", and then he has to repeat himself, but when he says it again, it sounds nothing like him. He sounds demonic, crazed. And that is what makes the villain in this film unlike any other. He's completely mad. And it makes the film absolutely incredible.
Other choice actors in the film—Aaron Eckhart, Michael Caine, Morgan Freeman, and Gary Oldman —round out a perfect cast. Intense, dark, and humorous, everyone plays their part perfectly.
The Nolanverse Batman films are not as ... comic-book centric as other superhero films, but that's what sets it apart. He's created an entirely new way to portray heroes on the big screen. From the way it's filmed, to the script, to the music (Hans Zimmer can compose the soundtrack to my life. Seriously), The Dark Knight is beautiful, thrilling, and entertainment at it's best.
He's Batman, after all.
Sunday, July 15, 2012
So, it's Batman week. (also, SDCC hits)
In case you were living under a rock, here's some news for you: The Dark Knight Rises, which is one of the most anticipated films of the year, is coming out on the 20th. This means that you should really go and get your ticket for it because it's going to be awesome. Two hours and forty-five minutes of Batman, Bane, and John Blake. I have faith in Christopher Nolan that he'll be able to make Catwoman ... well, good, but I really want to wait until I actually see the film to make that assertion.
I'll definitely have a review up for it by the time that it comes around. But, in the meantime, I'll be writing up a post about SDCC for all of you to read, though I'm sure you all already know what happened over the past few days. (Iron Man 3, y'all.) Coming up soon!
I'll definitely have a review up for it by the time that it comes around. But, in the meantime, I'll be writing up a post about SDCC for all of you to read, though I'm sure you all already know what happened over the past few days. (Iron Man 3, y'all.) Coming up soon!
Sunday, July 8, 2012
Bourne Legacy & Total Recall
I think it should be mentioned that this movie is coming out in about a month, and I'm really excited about it. Jeremy Renner is one of my favourite actors and I'm really excited to see him in the next Bourne installment. And Edward Norton.
I can dedicate the entire weekend of the 3rd to being stoked about this movie:
Total Recall is one of those movies that I really hope I'm not getting myself too excited for, only to be disappointed. I love science-fiction thrillers. I'm really excited about this movie. Also I just really love Colin Farrell and I'm not sure I could deal with him and Jeremy Renner all in one weekend. Looking forward to both of these!
Subscribe to:
Posts (Atom)